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- Sales Rank: #3492212 in Books
- Published on: 1991-01-16
- Original language: English
- Number of items: 1
- Dimensions: 9.84" h x .59" w x 7.87" l, .94 pounds
- Binding: Paperback
- 268 pages
Review
"Drawing heavily on the many new historical and feminist interrogations of British romantic texts over the last decade, Elizabeth Fay provides a useful overview of the major areas of feminist enquiry into canonical and non-canonical romantic writing. Fay provides several fresh insights into non-canonical texts as well as helpful classifications of the range of women's writing in the romantic period." Studies in Romanticism
From the Back Cover
Elizabeth Fay’s invaluable book addresses the reader in an immediate and direct manner to provide an unequaled introduction to the issues most important for feminist analyses of Romantic literature. In her opening chapter, Fay offers detailed definitions and a historicized grounding that gives a thorough account of feminist theory’s involvement in Romantic studies and provides a rigorous methodology for students to follow, concluding with a highly instructive case study on Jane Austen. Subsequent chapters deal with women and revolutionary politics, the Gothic genre and domestic politics, women and thought, and women and identity, which covers visuality in Romantic texts. Further reading is listed at the end to each chapter. The book includes key illustrations and a comprehensive bibliography.
Writters discussed: Jane Austen, Joanna Baillie, Anna Laeriria Barbauld, Frances Burney, Elizabeth Carter, Hannah Cowley, Charlotte Dacre, Mary Hays, Felicia Hemans, Elizabeth Inchbald, Maria Jane Jewbury, Catherine Macaulay Graham, Elizabeth Montagu, hannah More, Ann Radcliffe, Clara Reeve, Mary Robinson, Sarah Scott, Anna Seward, Mary Shelley, Charlotte Smith, Jane Taylor, helen Maria Willaims, Maria Wollstonecraft, Dorothy Wordsworth.
About the Author
Elizabeth Fay is Professor of English at the University of Massachusetts, Boston. She the author of Becoming Wordsworthian: A Performative Aesthetics (1994) and of Eminent Rhetoric (1994).
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